Блог :: Полезные лайфхаки с тональным кремом, которые точно пригодятся и понравятся! – sayfa

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Events can be made longer or shorter by dragging their boundaries, and they can also be overlapped, with crossfades automatically generated from a large number presets that would accommodate most situations. New events can be copied and pasted from other data windows, while complete files can be dragged and dropped from the Windows Explorer into an existing data window.

In short, the process is almost identical to working with similar audio events on an audio track in most modern DAWs, and the possible applications are similar. For example, when working with dialogue, you might simply wish to adjust the timing between individual phrases. There are a number of ways in which this can be approached, but the most straightforward is simply to arrange your individual tracks as events in the required running order within a data window.

This creates an additional lane beneath the waveform display called the CD layout bar. The latter automatically adjusts itself if you change the length of the track by dragging the start or end bars.

Tracks can, of course, be re-ordered by dragging and dropping within the CD layout bar. Track lengths can also be adjusted, although it is worth noting that CD track length and event length are not locked together, so adjusting one doesn’t change the other. At first, this does seem a little strange, but it actually provides greater flexibility.

For example, a CD track can be set to span two events to add a hidden ‘bonus’ track to the end of a CD project. Matching the ends of events and CD tracks to each other is made easier by the helpful way in which the end points ‘snap’ to each other while dragging. Lining up event and CD track boundaries, or setting the gap between CD tracks, is made easier by the way in which edges ‘snap’ when aligned the edge glows yellow.

There is also a snapping action as you adjust the length of silence between tracks, with the snap occurring when the default length two seconds, although this can be changed is reached. As each event has its own volume curve, the overall volumes of tracks within the CD project can be matched as required to compensate for any differences in original mix levels.

Two further windows called Track List and CD Information allow key metadata to be added to the project for embedding as CD Text; usefully, this can also be exported in various formats, so it becomes easy to add to your favourite graphic design software and so on. As with any new release, a range of performance improvements have been made under the hood that are likely to be transparent to most users.

However, there are other changes that include some reorganisation of the menu and toolbar structures: for example, the Acid Loop Creation Tools toolbar has disappeared and the buttons moved to other toolbars, while the Insert menu is new. Perhaps most significant is the ability to use and create customisable workspaces for particular tasks. Again, the concept is similar to the ‘screen set’ features seen in many DAWs, and works well.

All are tailored to mastering, and so would work well as part of the overall CD production process. Space precludes a full consideration of all the new features but, for me at least, the headline offering — full CD production without leaving Sound Forge 10 — makes this a very worthwhile upgrade on its own.

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T i ph n m m sony sound forge pro 10 free download.Sony Sound Forge Pro 10.0

 
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T i ph n m m sony sound forge pro 10 free download

 

The Preset Manager is now a standalone frse that you can use to back up, transfer Acclaimed for its power, stability, and exceptional workflow, Sound Forge is the best way to get from raw audio to a finished master. E-Z Contact Book is an easy-to-use downoad powerful Windows program to store and manage contact information. T i ph n m m sony sound forge pro 10 free download, award-winning security from one of the most trusted names in cybersecurity.

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T i ph n m m sony sound forge pro 10 free download

 
 

For example, when working with dialogue, you might simply wish to adjust the timing between individual phrases. There are a number of ways in which this can be approached, but the most straightforward is simply to arrange your individual tracks as events in the required running order within a data window.

This creates an additional lane beneath the waveform display called the CD layout bar. The latter automatically adjusts itself if you change the length of the track by dragging the start or end bars. Tracks can, of course, be re-ordered by dragging and dropping within the CD layout bar. Track lengths can also be adjusted, although it is worth noting that CD track length and event length are not locked together, so adjusting one doesn’t change the other.

At first, this does seem a little strange, but it actually provides greater flexibility. For example, a CD track can be set to span two events to add a hidden ‘bonus’ track to the end of a CD project. Matching the ends of events and CD tracks to each other is made easier by the helpful way in which the end points ‘snap’ to each other while dragging.

Lining up event and CD track boundaries, or setting the gap between CD tracks, is made easier by the way in which edges ‘snap’ when aligned the edge glows yellow. There is also a snapping action as you adjust the length of silence between tracks, with the snap occurring when the default length two seconds, although this can be changed is reached.

As each event has its own volume curve, the overall volumes of tracks within the CD project can be matched as required to compensate for any differences in original mix levels. Two further windows called Track List and CD Information allow key metadata to be added to the project for embedding as CD Text; usefully, this can also be exported in various formats, so it becomes easy to add to your favourite graphic design software and so on.

As with any new release, a range of performance improvements have been made under the hood that are likely to be transparent to most users. However, there are other changes that include some reorganisation of the menu and toolbar structures: for example, the Acid Loop Creation Tools toolbar has disappeared and the buttons moved to other toolbars, while the Insert menu is new. Perhaps most significant is the ability to use and create customisable workspaces for particular tasks.

Again, the concept is similar to the ‘screen set’ features seen in many DAWs, and works well. All are tailored to mastering, and so would work well as part of the overall CD production process. Space precludes a full consideration of all the new features but, for me at least, the headline offering — full CD production without leaving Sound Forge 10 — makes this a very worthwhile upgrade on its own. Sony have offered something that is different in approach to Wavelab’s Audio Montage, and a key divergence is in how the two applications handle effects processing.

In practice, this is not a major issue and it certainly doesn’t detract from the quality of the results. It does, however, require a somewhat different working approach, with the user likely to generate multiple instances of a Sound Forge 10 CD project, so that they can step back through their various processing options more easily.

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